The first Music Tech Fest, run by Ravensbourne College and Stromatolite in London gathered sound gurus, hackers and musicians together to make, talk and play. From synth legend and 3D sound designer Martyn Ware (The Human League, BEF, Heaven 17) to the dance demon that is Coldcut/Ninja Tune’s Matt Black, and new app designers, minds were well and truly expanded, if not blown! There’s even a free Synaesthesia app.
The second day of Music Tech Fest 2014 kicked off in true hybrid style, and featured exciting collaboration, innovation and experimentation.
Music Tech Fest London 2014 launched with an incredible mix of technology, performance and probing of the future of the music industry. With everything from brain hacking to playable interactive artist merchandise, wearable tech and new business models, it was a compelling first day.
The 2013 Music Tech Fest was an incredible event, especially on the final day when the Music Hack Camp awards were presented, with hacks ranging from new instruments to a remix. Here are some of our highlights from Day 3, including Ableton’s new Push instrument, and guitars and synths made from ‘upcycled’ computer game instruments. The sessions were filmed and the videos are on the main Music Tech Fest site. We will be bringing you a second report as there was so much going on!
Can walls make waves? Well the thought-provoking #PlayThisWall has been making friends at festivals and events across Europe, with its great electronic sounds. It has even made an appearance with Music Tech Fest at the #Horizon2020 #H2020Future conference at the EU Commission. It’s a double sided wall musical interface by sound artist Run Dreamer, and we asked him to tell us all about it.
Bishi’s incredible WITCiH Summer Salons are a magnet for talented innovators, and the June edition was a classic, with amazing insights from Imogen Heap, Bishi and Rachel Wingfield from Loop.pH. The next salon is on Wednesday 12th July at The Barge House in London with Rebekah Ubuntu, Jenn Kirby, Bishi and Kat Five.
Attila Haraszti aka Rawfare has hacked SoundCloud by creating an innovative interactive track that’s rave-inspired and changes according to the plays. He’s passionate about creating new ways for artists to get more influence over social platforms and we interviewed him about the SoundCloud ‘Pipo’ track and his other exciting projects.
The second, and sellout Music Tech Fest had a huge buzz about it. Mike Skinner (The Streets, The D.O.T.) sent over his latest aiff files, RCA Records supplied a load of stems for the Music Hack Camp hackers to play with, and there were amazing speakers. There was so much new stuff to do, see, hear and think about that we’re doing a separate blog for each day. Here are some of our highlights from Day 1, including Alex Allmont’s Lego sculptures that play rhythms, EMI’s strategies for artists, and live performances.
Music Tech Fest is back, from 29-31 May in Umeå, Sweden. With the latest in music tech, plus performance, a hack camp and jam sessions, it’s another don’t miss event. Artists already confirmed include Scanner, Laura Kriefman with Guerilla Dance Project, and Kenneth Alewine’s Performing Melancholia, a visual music experiment with an automaton. Exciting new band merch technologies, sound artists, instruments and digital platforms are all featured too, and tickets are free. Here’s a look at some of the highlights from Music Tech Fest Paris to give you a feel for what to expect.
An event and an album
Martyn Ware launched the stunning “Tales From The Bridge” in July, a 3D soundscape collaboration covering the length of the Millennium Bridge in London. The mesmerising piece was commissioned by the Mayor of London for the London 2012 Olympics. We filmed behind the scenes - with riggers more used to rock stadiums, dangling over the Thames - and asked Martyn how he and the team, including Grammy winning composer Eric Whitacre, and poet Mario Petrucci, created the work. There’s more from Martyn on making his Human League and Heaven 17 hits on our bands page.
Animations, an app battle, new instruments and even a new genre - Gunk (geek punk) were all vying for attention as Music Tech Fest day 2 progressed.
The Augmented Instruments Lab at the Centre for Digital Music (C4DM) at Queen Mary University of London, is a place of wonder. It focuses on developing new instruments and interfaces for creative musical expression, and is led by Dr Andrew McPherson. Hackoustic arranged a Field Trip to meet the team there and explore some of the unique instruments, and unsurprisingly it was quickly fully-booked.
The second day of the amazing Music Tech Fest was full of surprises. Here are some of our highlights including new instruments such as The Seaboard Grand, music economy inspiration from Brazil, performances and very practical band help. All the while Music Hackers were mixing top bands’ stems, cocktails, and coding. Our report from Music Tech Fest - Day 1 is here.
We bring you the third day and final installation of our coverage of Music Tech Fest London 2014. It is safe to say we were completely blown away by the variety of innovation in all the projects. It was also particularly exciting to see the results of the Hack Challenges, both with adults and young people alike. The tender age of some of the participants was by no means a barrier to their creativity and technical abilities!
The final day of Music Tech Fest Scandi - the festival of music ideas - in Umeå, Sweden, was both inspiring and thought-provoking. It saw kids hacking, new instruments for more accessible music-making, the Hack Camp awards, and some memorable performances including LJ Rich mixing it up with cocktail master Emil Åreng.
Day Two of Music Tech Fest Scandi - the festival of music ideas - in Umeå, Sweden, included the launch of new music format TJAY, an amazing performance from Graham Massey, Scanner and Jason Singh, plenty of new music tech and hacking. The next Music Tech Fest is #MTFCentral and takes place in Ljubljana, Slovenia 18-20 September.
The first New Sounds New Styles event, curated by design icon Malcolm Garrett, was a one-day conference and showcase exploring the intersection of music and technology. With a focus on Immersive Audio and VR, it shone a spotlight on current research, authoring, design and performance, and looked at the future environment for creatives.